tag:blogger.com,1999:blog-4449697140204377101.post4709320501640179178..comments2023-04-22T10:55:19.894-04:00Comments on Liberated Dissonance: Elliott Carter's new double concertoJoe Barronhttp://www.blogger.com/profile/16638252347181688694noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-4449697140204377101.post-90082358728293110012011-03-28T10:24:47.867-04:002011-03-28T10:24:47.867-04:00And not just implicit: in the past few years we...And not just implicit: in the past few years we've also had Dialogues, Interventions and Soundings. There does seem something a little redundant about this title, but what the heck. It's a music that counts, and he continues enrich us with it. How much "new ground" did Bach break at the end of his life? Or Brahms? And they were a lot younger. You find your voice, and you stick with it.Joe Barronhttps://www.blogger.com/profile/16638252347181688694noreply@blogger.comtag:blogger.com,1999:blog-4449697140204377101.post-35786818407148296782011-03-27T09:37:41.417-04:002011-03-27T09:37:41.417-04:00"concerto for piano and percussion titled Con..."concerto for piano and percussion titled Conversations"<br /><br />Gee, isn't that the implicit title of every concerto he's ever written? Though at the age of 102 I probably shouldn't expect him to break any new ground.E. Henry Thripshawnoreply@blogger.com