tag:blogger.com,1999:blog-4449697140204377101.post3783529786529190289..comments2023-04-22T10:55:19.894-04:00Comments on Liberated Dissonance: Got $123.14?Joe Barronhttp://www.blogger.com/profile/16638252347181688694noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-4449697140204377101.post-54824846497766435442012-01-02T21:12:35.080-05:002012-01-02T21:12:35.080-05:00And his little monograph on Schoenberg is indispen...And his little monograph on Schoenberg is indispensible,Joe Barronhttps://www.blogger.com/profile/16638252347181688694noreply@blogger.comtag:blogger.com,1999:blog-4449697140204377101.post-7087667799637787492012-01-02T16:33:08.118-05:002012-01-02T16:33:08.118-05:00Finally! Man, I've been wondering what's b...Finally! Man, I've been wondering what's been taking so long! MTT's recording is, what, 25 years old? I emailed Sinclair a few years ago about this, but never got a response.<br />I am going to start saving!<br />Also: thanks for the recent Carter links and reports. I am sort of halfway on the Carter/Rosen/Time issue. I get (I think I get) what they mean, but I agree, this is an easily over-hyped issue with Carter's music. I like Carter's comment that Brahms' music is the from the age of the horse and buggy, and he writes music for people who have been in jet engines, or some such, but I don't think the "simultaneous experiences of time" is a very relevant way to think about, say, Symphonia. <br />Well, whatever. Rosen's been sort of writing the same comfortable piece on Carter for the NYRB for about thirty years. The Classical Style is a desert island book for me, though.john schotthttps://www.blogger.com/profile/16313960961501577603noreply@blogger.com